Erik Satie

Despite their famed relationship, Suzanne Valadon and Erik Satie were actually only together for six months, from January to June 1893.  The relationship began soon after Valadon had split up with Miquel Utrillo, which drove a wedge between the two men as well. Valadon and Satie didn’t work as a couple, apparently because of the musician’s jealous nature and excesses. Artistically, the relationship left behind a celebrated portrait of Satie painted by Valadon, which he kept for the rest of his life. Musically, it led to the Satie’s much-lauded Vexations, which he composed while mourning the end of his relationship with Biqui, his pet name for Valadon, who was the only partner the musician was known to have.

#Valadon

 

“Men loved me, it’s true. But I want to be loved by men who have never seen me, I want them to dream of me and imagine me in front of a square of canvas, on which I left a particle of my soul with my paints.”

Suzanne Valadon

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Prélude en tapisserie

Prélude en tapisserie

Trois Gymnopédies: No. I. Lent et douloureux

Trois Gymnopédies: No. I. Lent et douloureux

Trois Gymnopédies: No. II. Lent et triste

Trois Gymnopédies: No. II. Lent et triste

Gnossienne: N. 3

Gnossienne: N. 3